Maus II: A Survivor's Tale: And Here My Troubles Began

Ordered this book from seller. It came very quickly, as described and I am very satisfied with our transaction. I would highly recommend this seller to anyone. Thank you for good service.

I must say that I find this work hard to properly describe in terms of how I feel about it. I think that it was a fascinating look at one man's experience in the Holocaust, but an equally important aspect is Art's interaction with his father during their conversations. This seems like an honest portrayal, especially since Art isn't afraid to include things that may make himself or his father look bad (he isn't always the most sympathetic son, at times a narrow-minded father). I think connecting the story of what happened then, and how it's effects are apparent for the rest of a person's life (although different people reacted in different ways) is interesting. The way this is written is especially effective, because it truly feels like Vladek is telling you his story first hand.
As for the artwork, although it isn't my favorite style, it seems to fit for this story. The simple, unpolished look is compatible with this story which is honest and raw. Finally, I would like to add that the second installment of this comic is darker, and more depressing and sad at times, but it is also quite powerful and once you read Maus I, you must (and will want to) read Maus II in order to feel any closure with the story.

One (two actually since there are two volumes) of the best submissions about the Holocaust which is designed to reach a broad audience. Maus and Maus II are written in the vernacular, personalizing the experiences of a camp survivor who is interviewed by his son. Excellent supplement to any Holocaust discussion.

When I included this and Maus 1 & Persepolis I was informed that they are not graphic novels and that I could not have one free. AMAZING! Of course after I asked for the distric manager's name/number there was a sudden change of heart BUT NOT a good instore experience from BORDERS at ALL. The GRAPHIC NOVEL is great. Borders are not.

In Maus II, Art Spiegelman continues his father's horrific story of persecution and imprisonment in Auschwitz during WWII. Mr. Spiegelman has an enviable talent for simple drawings that convey complex ideas and feelings. Scenes with his father seem all too real - both amusing and a bit sad. Great series, I'd recommend it to anyone.